Introduction to the topic
Before Hollywood’s studio system emerged, the American film industry flourished on the East Coast, maintaining vibrant exchanges with European cinema. The silent era offered women surprisingly extensive opportunities in filmmaking – from celebrated directors like Alice Guy-Blaché and Lois Weber to countless other contributors whose stories remain hidden.
This project recovers these lost narratives by examining cinema’s gender dynamics within the broader context of women’s changing labor patterns during industrialization. Rather than treating film as an isolated industry, this research aims to map how women’s experiences in early cinema either reflected or diverged from contemporaneous shifts across emerging modern industries, revealing the gendered nature of industrial transformation itself.
Project details
The Research Assistants will play a central role in uncovering the names and career paths of women workers in early cinema through systematic collection and analysis of data from digitized archival sources. This hands-on research experience will equip Research Assistants with advanced methodological skills in digital humanities while developing their ability to critically evaluate and interpret historical archives.
As a Research Assistant on this project, you may be asked to:
- Conduct literature review examining women’s roles in North American Industrialization drawing from published scholarship
- Extract and compile data on early film workers in New Jersey using online digitized repositories, census and immigration databases
- Learn to clean and create good data sets for historical research using tools like OpenRefine
- Analyze and visualize transatlantic mobility patterns of film workers migrating between Europe and the East Coast
- Write research summaries and collaborate on potential scholarly publications.
Selected relevant publications
- Bell M (2021). Movie workers: The women who made British cinema. University of Illinois Press.
- Gaines J, Vatsal R, Dall’Asta M, eds. (2013–2025). Women Film Pioneers Project. Columbia University Libraries. doi:10.7916/m4dc-n768
- Gledhill C, Knight J, eds. (2015). Doing women’s film history: Reframing cinemas, past and future. University of Illinois Press. doi 10.5406/illinois/9780252039683.001.0001
- Hill E (2016). Never done: A history of women’s work in media production. Rutgers University Press.
Syllabus
The syllabus for this course is currently under development. A draft syllabus will be listed here as soon as it is available.
This is a draft syllabus. The final syllabus will be available here a few days prior to the new course’s first start date.
Additional research application required
You will need to submit an additional research application through Student Registration in order to enroll in this course.
To submit your research application, you must already be admitted to DIS.
All research application materials must be submitted on the following dates by 23:59 Central European Time:
- November 1 for spring semester applicants
- May 1 for fall semester applicants
Complete your additional research application through Student Registration.
Faculty

Clara Auclair
FacultyPhD, Visual and Cultural Studies (Art and Art History Department, University of Rochester, USA and Langues, Littérature et Image, Université Paris Cité, France, 2023). Certificate in Film Preservation (L. Jeffrey Selznick School for Film Preservation, George Eastman Museum, Rochester (NY), USA, 2014). Clara has been teaching at University of Rochester and guest lectured in Swedish universities. She also works as a research consultant for film archives and museums since 2022. Fields of interest includes: early film studies, media studies, visual and cultural studies, gender studies and labor studies. With DIS since 2023.
Research Assistantship FAQ
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